Photography

Learn to create meaningful, aesthetic
and professional visual content using
modern photography tools and design thinking.
Full-time Photography studies last 3 years. During the programme, students are prepared to create technically high-quality, conceptually grounded, and visually compelling photographic content that meets the needs of contemporary visual culture and the creative industries.
During their studies, students explore different photographic genres and image-making methods — from portrait, documentary, fashion, editorial, and commercial photography to experimental, analogue, digital, and interdisciplinary practices. Students learn to master photographic equipment, lighting, composition, laboratory processes, post-production, colour correction, and the principles of moving image creation.
The programme encourages students to develop an individual creative style, analyse images, work within different creative contexts, and professionally present their work. The knowledge acquired during the studies is applied in practical projects, creative assignments, exhibition planning, portfolio development, and professional practice situations. Students learn to work both individually and in teams, plan projects, communicate with clients, and prepare for independent creative practice.
Programme description
6531PX026
P02 Design
Professional Bachelor of Arts
Full-time, 3 years.
180
Full-time studies
Programme Leader

Laurynas Skeisgiela is a photographer, video artist, filmmaker and curator active in the Lithuanian and international contemporary art field. His practice spans photography, moving image, installation and interdisciplinary research, often revealing a sensitive relationship with place, observation, time and fragile everyday phenomena.
Laurynas studied Photography and Media Art at the Vilnius Academy of Arts and photography at the Stuttgart State Academy of Art and Design. He is also a co-founder of the “Lokomotif” initiative in Lentvaris, which shows his ability to approach photography and art not only as an individual artwork, but as a communal, contextual and curatorial practice.
In the Photography programme, Laurynas shares not only technical skills but also an artistic way of thinking. Students learn to see, observe, collect images, build rhythm, tell stories and develop their own photographic language. Under his leadership, photography becomes a method of research, sensitivity and visual authorship.
About the Programme
1 General Design Bachelor programme subjects
Design theory and history, visual culture, composition and colour, form and space, design methods and research, creative thinking, project development, professional ethics, interdisciplinary collaboration, professional practice placements, and final thesis.
2 Applied Photography specialisation subjects
Photography modules cover portrait, documentary, fashion, advertising, architectural, and authorial photography, studio lighting, digital processing, colour management, and audiovisual production. Students learn to work with professional photographic equipment and create high-quality visual content.
International applicants to the Photography programme are required to pass a remote entrance examination. The examination is intended to assess the applicant’s creative abilities, visual thinking, technical skills, motivation, and readiness to study the chosen programme.
The entrance examination consists of two parts: portfolio assessment and a motivational interview, conducted online via Microsoft Teams.
Portfolio
Applicants are required to submit a portfolio containing 10–15 of their strongest creative works. The portfolio should demonstrate not only the quality of the final results, but also the applicant’s creative process, visual thinking, and ability to develop an idea from concept to final work.
We recommend including:
- photography projects;
- photo series;
- personal creative projects;
- experimental photography;
- visual storytelling projects;
- portrait, documentary, fashion, conceptual, fine-art, or other photographic work;
- any other creative visual works relevant to photography.
Whenever possible, applicants should also include materials demonstrating the development and creative process behind their projects, such as:
- project descriptions;
- concept explanations;
- mood boards;
- research and reference materials;
- work-in-progress images;
- contact sheets or alternative photographs from the same shoot;
- different versions or development stages of a project;
- before-and-after editing examples.
For each project, applicants are encouraged to briefly explain:
- What was the idea or concept behind the project?
- What was the goal of the work?
- How did the project develop?
- Which photographic techniques, equipment, tools, or software were used?
- How was the work edited or post-processed?
- Why were particular creative decisions made?
Original and RAW Files
Applicants may be asked to provide original, unedited files from selected photographs included in their portfolio in order to demonstrate authorship and the development of their work.
These may include original camera RAW formats such as CR2/CR3 (Canon), NEF (Nikon), ARW (Sony), RAF (Fujifilm), ORF (OM System/Olympus), RW2 (Panasonic), DNG, or other original camera files. Where RAW files are not available, applicants may be asked to provide original JPEG/TIFF files, image metadata, contact sheets, project files, or other source materials.
For digitally edited works, applicants may also be asked to provide both the original photograph and the final edited version, and, where relevant, working files such as PSD or other layered project files.
All submitted work must be the applicant’s own original work. Portfolios may be reviewed for authenticity, including checks for AI-generated or AI-manipulated content and other forms of unauthorised assistance. Applicants must be able to explain how their photographs were created and edited, including the equipment, software, techniques, and creative decisions involved.
If additional verification of the applicant’s skills or authorship is required, the College reserves the right to assign an additional individual creative task, which may be completed under specified conditions and/or during a live online session.
Motivational Interview
During the motivational interview, the applicant’s motivation, creative interests, previous experience, visual awareness, and readiness to study Photography are assessed.
The applicant will also be asked to discuss selected works from their portfolio, including the ideas behind them, their creative process, photographic and editing techniques, sources of inspiration, and the development of the projects.
Applicants should therefore be prepared to present and discuss their own work in detail and explain the choices they made throughout the creative process.
Full-time studies – EUR 5,700 per year.
Graduates of the Photography study programme can work as photographers, creators of portrait, documentary, editorial, fashion, commercial, and fine art photography, visual content creators, post-production specialists, exhibition project coordinators, and visual communication specialists.
The acquired competencies enable graduates to work in creative agencies, photography studios, media, fashion, advertising, culture, art, and creative industries, as well as to pursue independent creative or commercial photography practice.
Curriculum
Student works

Miglė Maslauskaitė

Selin Bucak

Emilis Garla

Laia Serano
The Beatlemania movements catalog

Karolina Kontutytė

Karina Atžanova
Women's tattoos as a protective measure